Dedicated to the work of the famous Venezuelan artist Carlos Cruz-Diez, this reprint in French of Reflexión sobre el color, published in Spanish in 1989 by the Juan March Foundation, offers an overview of the work of one of the most important artists in Latin America. Known for his research within the kinetic movement, his experiments have influenced ideas about color.
This collection delivers eighteen anthropological investigations carried out by the students of the Beaux-Arts de Paris in immersion in various environments: Afrodance dancers, markets, groups of bikers...
This approach was suggested to them by their anthropology professor Monique Jeudy-Ballini.
This coloring book is made from 24 photographs by Patrick Faigenbaum, professor at the Beaux-Arts de Paris.
Patrick Faigenbaum's first images date from the early 1970s. He quickly became a portraitist of humans, but also of objects and places.
Following a call for applications to develop cooperation with the Balkan countries, launched by the Ministry of Europe and Foreign Affairs and supported by the Solidarity Fund for Innovative Projects, the Beaux-Arts de Paris proposed a project with the University of Arts of Tirana.
From thursday 23 september 2021 to saturday 25 september 2021
September 23 from 6 to 8 p.m. and September 24 and 25 from 2 to 5 p.m.
Atelier de Dessin
14 rue Bonaparte, 75006 Paris
Exhibition of the four candidates and the winner of the 2021 Contemporary Drawing Prize, awarded by the association Le Cabinet des amateurs de dessin des Beaux-Arts de Paris. The winning artist will receive €4,500 and one or more of his or her works will be acquired by the Cabinet Bonna to enrich its collections.
Thursday, September 23 from 6 to 8 pm
Friday, September 24 from 2 to 5 pm
Saturday September 25 from 2pm to 5pm
Cassius Beau Baron, 4th year student James Rielly workshop
Tiziano Foucault-Gini, 4th year student Julien Sirjacq workshop
Daniel Galicia, 4th year student James Rielly and Emmanuelle Huynh workshops
Ludovic Lalliat, 5th year student Joann Sfar workshop
Anna Oarda, 4th year student Stéphane Calais workshop
Drawing workshop - 14 rue Bonaparte, Paris 6e
The bas-relief "Crucifixion" by François Marchand is absent to make way for a suspended wax drape made by Juliette Minchin. The crucified man has disappeared: all that remains is the cloth that hid his nakedness. Echoing the loincloth worn by Jesus - the Perizonium - very present in the imagery of the crucifixion, the work appears as a sacred cloth.
This fabric also refers to the "Descent from the Cross" where a sheet helps the characters to support and carry the body of Christ and then serves as a shroud.
Relique, 2021, 79 x 55 x 14 cm, cire et laiton patinés
Madeleine Planeix-Crocker is a Franco-American curator, researcher, practitioner and teacher based in Paris. She has practised dance and theatre since childhood. A graduate of Princeton University in Cultural Studies, she obtained a Masters specialising in Media, Art and Creation at HEC Paris and a Masters 2 at EHESS. There she led a research-creation project with the Women Safe association, where she now runs a theatre and creative writing workshop. Madeleine is currently pursuing a thesis at EHESS (CRAL) on contemporary communal performance in France.
Since 2018, Madeleine has been an associate curator at Lafayette Anticipations. She programmes performances, meetings with artists and researchers, and public workshops. Her interests lie at the crossroads of research and the curation of performances with intersectional commitments.
She is also a permanent member of the Scientific Research Council of ESAD Reims.
Born in 1986 in Alès, France.
Lives and works in Paris.
Mimosa Echard draws on biological research, histories of experimental cinema and her own life to create works that play with the relationship between sexuality, synthesis, and perception.
Working across various media—from sculpture to installation to video games—her work is driven by ongoing and contradictory processes of absorption, accumulation and circulation, observed in phenomena as diverse as popular culture, metabolic systems or electromagnetic spectra.
Attentive to the invisible or latent potential of the materials she uses, her assemblages and installations displace the capacity of language to know its object, allowing new and ‘unnatural’ associations to proliferate.
Recent solo and group presentations of Mimosa Echard’s work at international institutions include Lafayette Anticipations – Fondation d’entreprise des Galeries Lafayette, Paris ; Centre Pompidou, Paris ; Palais de Tokyo, Paris ; Collection Lambert, Avignon ; Musée d’Art Moderne de Paris ; Australian Centre for Contemporary Art, Melbourne ; Le CRÉDAC, Ivry ; Dortmunder Kunstverein, Dortmund ; Platform-L Contemporary Art Center, Seoul ; Cell Project Space, London.
Mimosa Echard was the recipient of the Prix Marcel Duchamp 2022.
The first monograph on the artist’s work will be published at the end of 2024.
She is represented by Galerie Chantal Crousel, Paris and Martina Simeti, Milan.
Julien Creuzet creates a protean body of work that incorporates poetry, music, sculpture, assemblage, film and animation. By evoking trans-oceanic post-colonial exchanges and their multiple temporalities, the artist places his past, present and future heritage at the heart of his production. Shunning global narratives and cultural reductionism, Julien Creuzet's work often highlights anachronisms and social realities to construct irreducible objects. Like relics of the future brought ashore by an ocean tide, his works materialise as amplified testimonies to history, technology, geography and the self.
Recent solo exhibitions include: Camden Arts Centre, (London, forthcoming), Document (Chicago), CAN Centre d'art Neuchâtel, Palais de Tokyo, Fondation Ricard, Bétonsalon. Group exhibitions include: Manifesta 13 (Marseille), Wiels Contemporary Art Center (Brussels), Museum für Modern Kunst (Frankfurt), Kampala Art Biennale (Kampala, Uganda), Dak'Art 2012 - Biennale de l'Art Africain Contemporain, Gwangju Biennale (Korea), Biennale des Rencontres de Bamako (Mali), Lafayette Anticipations, Lyon Biennale, Centre Pompidou.
Nominated for the Prix Marcel Duchamp 2021, Julien Creuzet will represent France at the 60th Venice Biennale in 2024.
