As part of the "Supersonic: exhibiting, editing, inhabiting sound" chair, students from the Beaux-Arts de Paris were able to collaborate with young composers from Ircam to compose sound and visual works together and thus imagine a collective exhibition, Orbital Orchestra. This collaboration takes the form of a digital score activated by a central sound device, collectively imagined and programmed by Ircam's computer music producers.
Opening on Wednesday June 16 at 6pm
Congratulations to the candidates admitted to the Beaux-Arts de Paris !
Welcome to all and see you at the start of the 2021-2022 school year.
2019, Triangle Books
ISBN: 9782930777320
On the initiative of the Beaux-Arts de Paris, Felicità Goodbye Horses brings together the thirty or so Felicità artists from the Beaux-Arts de Paris in 2019 and the École nationale supérieure d'art de Bourges in 2019 and 2020.
Organized for the first time outside the walls, the Felicità Goodbye Horses exhibition is the result of a collective work. The works were imagined to take over an 800m2 floor of POUSH Manifesto.
June 18 to July 10 2021
Tue-Sat 1-6pm
ACT 3 continues the experimentation with 3 new exhibitions.
CRÛ : as sedentary hunter-gatherers, the artists absorb products gleaned from the internet or supermarkets and which sediment in the apartments.
L'eau et les rêves, draws on the literary work of Gaston Bachelard and his thinking on the "morality of water."
Orbital Orchestra, a sound score imagined with the directors of IRCAM.
Designed and developed by the students and curators in residence of the "Artists & Exhibition Professions" course.
A major figure on the contemporary art scene, SAMMY BALOJI is invited by the Festival d'Automne à Paris and Beaux-Arts de Paris, as part of the Africa 2020 season, to present his first solo exhibition in a Parisian institution. His work is organized as a vast research, through the memory of the Republic of Congo, on the effects and permanence of colonial history. A set of drawings and a series of transfers on copper plates were produced from the geometric weave of Kongo weavings in raffia fibre.
Pietro Berettini, known as DA CORTONA (Rome, 1596 - 1669)
Dieu le Père entouré d’anges tenant les instruments de la Passion, pen, brown ink, brown wash, 13.6 x 24.5 cm, EBA 11273
Georges WOLINSKI (Tunis, 1934 - Paris, 2015)
Capitaine à la dérive, black felt pen, 31 x 23.9 cm, BA 11233
Jean-Jacques LEBEL (Paris, 1936)
Untitled, 2018, collage and acrylic on board, 120 x 80 cm, EBA 11280
