EXPOSITIONS | Beaux-arts de Paris

The Académie des Beaux-Arts will be paying tribute to the graphic work of Leonardo Cremonini, a foreign associate member of the Académie (1925-2010), in an exhibition to be held from 5 April to 29 May 2024 at the Pavillon Comtesse de Caen in partnership with the Beaux-Arts de Paris.

Thanks to donations orchestrated between 2022 and 2024 by Pietro Cremonini, the artist's son, the Beaux-Arts de Paris now own the complete collection of prints by Leonardo Cremonini, a major artist of the second half of the 20th century and head of the painting studio at the École des Beaux-Arts from 1983 to 1992. This unique collection is one of a kind in French and European public collections: in all, some two hundred items covering the one hundred and sixty editions produced by the artist between 1966 and 2009, plus around thirty state proofs which, in addition to their intrinsic beauty, are demonstrative of his way of working.

Although Leonardo Cremonini tried his hand at etching during his studies, it was as a mature and accomplished painter that he returned to printmaking in 1966. From working blindly on the matrix to passing through the press, printmaking was more than a metaphor for his approach as a painter; it enabled him to experience his creative process as an artist in a different way: he surrendered himself fully to this art of the "second time", in which chance and revelation, recurrence and infinity preside, as they do in the creation of his paintings.

Leonardo Cremonini (Bologna, 1925 - Paris, 2010) trained at the Bologna Academy of Fine Arts, then at the Brera Academy of Fine Arts in Milan. His career as a painter then took him to Paris, where he lived for most of his life, alternating with stays in his studios in Bertinoro, Panarea, Trouville and Florence.

He is associated with painters such as Francis Bacon, Balthus, Roberto Matta, Karl Plattner and Zao Wou-Ki, as well as literary figures who have written extensively about his paintings, including Louis Althusser, Michel Butor, Dino Buzzati, Italo Calvino, Régis Debray, Umberto Eco and Alberto Moravia.

His work has been shown in a number of venues at the heart of the artistic effervescence of his time: Catherine Viviano Gallery in New York, Erica Brausen's Hanover Gallery in London, Max Clarac-Sérou's Galerie du Dragon and Galerie Claude Bernard in Paris. Several retrospectives have been devoted to his work, in museums in Brussels, Basel, Paris, Prague, Tokyo and Milan.
His works are held in some forty museums in Europe and the United States.

"I don't have a message to deliver", said Leonardo Cremonini. His attention was above all focused on the enigma of bodies, places and light. In 2001, he was elected a foreign associate member of the Académie des Beaux-Arts.

Curated by

Anne-Marie Garcia, Honorary Curator General of Heritage, in charge of prints and photography at the Beaux-Arts de Paris from 2015 to 2023.

Anne-Marie Garcia has a doctorate in literature and is an honorary curator of cultural heritage. From 2015 to February 2023 she was in charge of the collections at the Beaux-Arts de Paris. Among the exhibitions she has curated or co-curated are Les Affiches de mai 68, Dieux et Mortels, L'École de la liberté, être artiste à Paris 1648-1817, Charles Garnier un architecte pour un empire, L'Arbre et le photographe, Mark Dion - ExtraNaturel, Images en lutte and Gribouillage, de Léonard de Vinci à Cy Twombly, to name but a few. She is also the author of a book devoted to the place of photography in the collections of the Beaux-Arts, La photographie avec les arts.

Catalogue

To coincide with this exhibition, the first book devoted to the prints of Leonardo Cremonini has been published by Beaux-Arts de Paris éditions with the support of the Académie des beaux-arts.
Reproducing the entire Beaux-Arts de Paris collection, this 400-page work includes the catalogue raisonné of the complete works, written by Anne-Marie Garcia, general curator of heritage and former head of the Beaux-Arts collection, the republication of 6 fundamental texts written by Louis Althusser (1966), Michel Butor (1969), Alberto Moravia (1972), Umberto Eco (1977), Italo Calvino (1984), Jacques Brosse (1987) and Régis Debray (1995), as well as 2 texts by Pietro Cremonini, the artist's son.

Exhibition opens on 1 May 2024

Fuori la notte / Dehors la nuit / Al balcone, 1969 Lithographie, impression en noir et en couleur sur vélin 65,4 x 47,2 cm

Mosca cieca / Colin-maillard (planche 3) Lithographie, impression en 9 couleurs sur vélin 50 x 74,2 cm

Students and curators in the "Artists & Exhibition Professions" program present autohistorias, a group exhibition inspired by Gloria Anzaldúa, Chicana feminist theorist, activist and poet. In an unpublished text, she proposes writing as a way of defining oneself through theory, fiction, mythologies, linguistic games and poetry. Through individual stories and fiction, it's a question of constructing a collective narrative, thought of as an alternative tool to dominant narratives.

"If I don't have access to the truth, I'll invent it, I'll tell myself, preferring my fictions to the lies and truths that others fabricate for me, about me". (Gloria Anzaldúa, Ethnic Autohistorias-teorías: Writing the History of the Subject).

In 1989, Gloria Anzaldúa wrote a formally inventive text that oscillates between poetry, personal narrative, historical commentary and politics. The essay is a toolbox. Anzaldúa encourages an active subjectivity and invites us to seize our intimate stories and fiction to shape our collective narratives.

Driven by this spirit, autohistorias brings together a group of artists who - from the 15th to the 21st century - have used the self as a way of telling history, shaping political allegory and using narrative as a means of emancipation.

autohistorias presents a group of auto-fabulists, chimeras, beautiful liars, chingadas and bad girls who traverse complexity with literary flair, aesthetic clarity and performative memory. Fiction, autobiography and speculation become the tools for composing a collective narrative and memory; an individuality that is guided not by absolutes but by ambiguities.

The exhibition brings together works by student artists and from the heritage collections of the Beaux-Arts de Paris, as well as those of guest artists. Self-portraits, hybrid collages, invented languages, parallel worlds - made up of personal histories and intimate archives - are presented. autohistorias composes a common space-time born of intersubjectivity, enunciation and listening. Thursday evenings will feature an artistic program, details to follow on beauxartsparis.fr.

Les Beaux-Arts de Paris is a partner of Paris Gallery Weekend, an event organised by the Comité professionnel des Galeries d'art, inviting the public from 24 to 26 May to 3 days of free, open-access exhibitions, meetings and events in 101 Parisian galleries. The autohistorias exhibition is part of the VIP programme of Paris Gallery Weekend.

Curated by

Skye Arundhati Thomas, Tadeo Kohan, Louise Nicolas de Lamballerie (curators in residence)
Mélanie Bouteloup and Armelle Pradalier (co-directors of the "Artists & Exhibition Professions" program)
Scientific advisor for the Beaux-Arts de Paris collections: Giulia Longo, Curator of Prints and Photographs

Students in the field

Mathilde Badie, Idris Bennai, Elise Bergonzi, Anna Breton, Clara Brevet, Aïssa Diallo, Clémence Gbonon, Anna Giner, Audrey Japaud Garcia, Feryel Kaabeche, Léontine Köhn, Anouk Léger, Mahault Maréchal, Emma O'Quigley, Noah Perrot-Bikie Bi Mbida.

Among the artists

Aya Abu Hawash, Malek Abdelmajeed, Sonia Andrade, Ali Arkady, Mohamed Azouzi, Amanda Baggs, Anna Boghiguian, Mohamed Chafei, Antoine Conde, Alexandre-Gabriel Decamps (after), Ladji Diaby, Antoine Dochniak, Jean Louis André, Mehdi Gorbuz, Francisco de Goya, Anis Nabil Harbaoui, Hessie, Lubaina Himid, Liên Hoàng-Xuân, Nina Jayasuriya, Bahar Kocabey, Simone Lagrand, Lalita Lajmi, Hugo Laporte, Nge Lay, Lisa Lecuivre, Huda Lutfi, Sehaj Malik, Nicole, Clarisse Pillard, Lou Reina, Jagdeep Raina, Rembrandt, Roseman Robinot, Vega Royer Gaspard, Saradibiza, Sequoia Scavullo, Mahmoud Sehili, Afrah Shafiq, Margarita Sherstiuk and Igor Kanivets, Elisabetta Sirani, Charwei Tsai, Libo Wei, Alexandre Yang, Mia Yu, Unica Zürn and anonymous.

Practical information

Wednesday April 24 - Sunday June 30, 2024
(The exhibition will be closed on Wednesday 1 May 2024)

13 quai Malaquais, Paris 6th arrondissement
Wednesday to Sunday, 1pm-7pm
Nocturne Thursday until 9pm

2€, 5€ or 10€, the choice is yours!

Detailed program of upcoming nocturnes on beauxartsparis.fr
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Nina Jayasuriya, Sans titre (pavulak), 2023, huile sur toile, 200x300 cm © Tristan Chevillard

Malik Sehaj, Kali - l'entropie, 2023 Encre, fusain et peinture d'huile sur khadi (tissu indien), 60 x 90 cm

Rembrandt, Femme nue couchée, 1658 Eau-forte, pointe sèche et burin © Beaux-Arts de Paris

Margarita Sherstiuk et Igor Kanivets, Shelves of waiting, 2023 Eau-forte, 50 x 57 cm

Alexandre Yang, Souvenirs de la Vie, 2024, huile sur toile, 180 x 270 cm

RESPONSIBLE TICKETING

2, 5 or 10 €, the choice is yours!

The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!

Free of charge (on presentation of a valid receipt):

• under 26 years old

• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture

• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)

• students of the École du Louvre

• holders of the Ministère de la Culture card

• Amis des Beaux-Arts de Paris

• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)

• journalists

• jobseekers, recipients of minimum social benefits

• civilian disabled and war-disabled (with an attendant)