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From tuesday 18 october 2022 to sunday 23 october 2022

Every day from 10 am to 7 pm

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006 Paris

FREE ENTRY

The Beaux-Arts de Paris are pleased to welcome with Paris+ by Art Basel the project of Omer Fast and the gallery gb agency within the Sites sector of the modern and contemporary art fair.

The Karla exhibition is built on archetypes in which masks, ghosts and characters tell stories of the past that illuminate the present, time loops between documentary and fiction.

Karla's face, 2020 (video hologram) floats in a room. The real Karla works at filtering offensive images and texts for an internet giant. Her anonymous testimony is replayed by an actress whose face has been scanned to convert each of her expressions and emotions into digital data.

The progressive morphing seems to accompany the fragile construction of the story. Karla, both witness and ghostly presence, tells of her role and her eternal mission to suppress ever more unbearable images. An installation of drawings endlessly replays a self-portrait by Max Beckmann from 1917: copies of copies exhaust the artist's traumatised face, one eye open and the other closed.

Whether they delete or make visible on digital platforms, whether they transgress the boundaries of the living and the dead, Omer Fast's characters provoke systems of power. The artist fictionalises what he sees of our world, its transformations and aspirations. Together, these elements respond to the 16th century sculptures on permanent display in the Chapelle des Petits-Augustins and explore the inherently ambiguous nature of concepts such as authenticity, time and reality.

 

Photo credit:
Omer Fast, Karla, 2020
Holographic projection and HD video, variable dimensions
Aurélien Mole © Courtesy Omer Fast and GB Agency

Omer Fast, Untitled M.B (Cloud), 2020 Crayon sur papier, euphonium, toilette en céramique, caisse en bois Dimensions variables © Aurélien Mole © Courtoisie Omer Fast et gb agency

Omer Fast, Karla, 2020 Projection holographique et vidéo HD Dimensions variables © Aurélien Mole © Courtoisie Omer Fast et gb agency

From tuesday 11 october 2022 to sunday 18 december 2022

Mon. to Fri. from 9:30am to 7pm - Sat. from 10am to 7:15pm - Sun. from 9am to 7:15pm

Église Saint-Eustache

Rue Rambuteau, 75001 Paris

FREE ENTRY

Hélène Janicot, a 5th year student, is the winner of a production grant from Rubis Mécénat in partnership with the church of Saint-Eustache and the Beaux-Arts de Paris. She exhibits a work in three stations installed in the heart of the church. Curated by Audrey Illouz.

 

Hélène Janicot's project for the church of Saint-Eustache is articulated around three stations. The first one opens the path and tests the force of attraction. The artist pushes an architectural motif emblematic of the Gothic church to the point of purity: the pillars that underlie the collateral and invite elevation. Hélène Janicot redraws the octagonal structure by means of metallic wires. A second station offers a completely different relationship of scale: a transparent slab reveals a hole. Reminiscent of an archaeological dig, the hole also refers to the beginning and the fall of bodies. In the Saint-Louis chapel, she proposes a last station and takes in the concrete the prints of her own kneeling body.

 

With this first in situ project, the artist approaches the very essence of the place through a series of refined but tense gestures, and invites us to a physical and sensitive experience that puts the body and the mind in motion.

 

For more information (FR)

Saint-Eustache Church
Rue Rambuteau, 75001 Paris

Free entrance

 

Photo credit : © Adrien Thibault

From wednesday 28 september 2022 to saturday 12 november 2022

Tue. to Sat. 2pm-8pm - Nocturne on Thursday until 9pm

Fondation Pernod Ricard

1, cours Paul Ricard 75008 Paris

FREE ENTRY

The Pernod Ricard Foundation and the Beaux-Arts de Paris renew their collaboration for 2022-2023. Clédia Fourniau, 2021 graduate, inaugurates the second season of the "L'Avancée" program with her paintings in the heart of the café-library.

 

Located in the heart of the café-library of the new Pernod Ricard Foundation, l'Avancée is a hanging space dedicated to emerging artists, a way to extend the exhibition space into the living space.

"The eye dances across the canvas, from the center to the sides, caught up in the undulations of a pictorial body that is nonetheless motionless. There is, in each work of Clédia Fourniau, a succession of colored layers that calls to dive into the depth, or rather to go up to its surface, towards the opening on which is superimposed a translucent stratification of resins.
Mirroring, this surface reflects by fragments the body of the observer: subtle setting in abyss of the image which reflects itself - which thinks itself - and which reflects the image which questions it - ourselves -. A reflection which goes until leaving the frame, and taking a new dimension, in that the matter stretches its consistency to leave apparent its margins and redefine new contours... Or how to question, of more beautiful, this "reflexive device" and identity of the support which, like the bottom, often passes unnoticed. 
Clédia Fourniau uproots the fundamentals to better understand the components and deployments: the object that makes work, the work that is object, the whole that is art. Thorny reflection, even existential, in the immaterial era of the metaverse and the NFT.
Anne-Laure Peressin, art critic

 

Pernod Ricard Foundation
1, cours Paul Ricard
75008 Paris

Free admission 

 

Photo credit: © Romain Darnaud

 

From wednesday 19 october 2022 to sunday 15 january 2023

Wednesday to Sunday, 1pm-7pm

Cabinet des dessins

14 rue Bonaparte, 75006 Paris

BILLETTERIE RESPONSABLE

The exhibition will be closed during the Christmas holidays from 17 December to 3 January inclusive. It will reopen on Wednesday 4 January.

 

Baalbek, an emblematic site on the Bekaa plain in northeastern Lebanon, attracted two young architects in the 19th century who were residents of the French Academy in Rome: Achille Joyau and Gaston Redon.

As part of their "Envois", exercises imposed on the winners of the Prix de Rome in which they had to propose a restoration of an ancient monument, they drew with watercolors and rendered with scrupulous fidelity the beauty of these ruins surrounded by high walls and the arid and mountainous environment that surrounds them. The twenty-five unpublished works presented in this exhibition are unique testimonies of the archaeological site which was not excavated until 1898.

The site of Baalbek remains to this day a major archaeological jewel of Lebanon.

 

 

Admired by Lamartine, Châteaubriand and Flaubert, Baalbek, an emblematic site of the Bekaa plain in Lebanon, attracted in the 19th century two young architects who were then boarders at the French Academy in Rome - Villa Medici: Achille Joyau in 1865 and Gaston Redon in 1887. As part of their "Envois", school exercises imposed on the Prix de Rome laureates, they were given the task of studying an ancient monument and proposing a restitution, i.e. a restoration.

Joyau and Redon decided to venture out of Rome and discover this mythical place in Lebanon. Before reaching it, they each made long journeys by caravan or on horseback, crossing difficult roads and staying, depending on their route, in Alexandria, Cairo, Memphis, Jerusalem, Damascus or even Smyrna.

Celebrated for its gigantism, Baalbek seduces by the originality of its Greco-Roman architecture enriched with Semitic and Oriental elements. The stays of Joyau and Redon, which varied between five and ten months, allowed them to draw up a precise state of the ancient monuments through superb watercolor sketches. Their drawings reflect with scrupulous fidelity the beauty of these ruins surrounded by high walls, but also the arid environment that surrounds them with the high mountains of the Anti-Lebanon in the background.

Their approach, close to that of an archaeologist, carefully restores the numerous buildings that made up the sanctuary, as well as their various architectural elements, including the layout of the walls, the entablatures and the capitals of the columns. To this description is added the sensitivity of the artists towards the materials used, the vegetation that invades the ruins in a disorderly manner, the bright blue sky.

The graphic qualities of these works reveal the watercolor talents of these young architects and are unique testimonies of the site of Baalbek, which only had its first archaeological excavations in 1898.

 

Curated by Emmanuelle Brugerolles and Corisande Evesque.

 

Joseph-Louis-Achille Joyau (1831 – 1873) Temple d’Héliopolis, état actuel, façade latérale sud [à gauche : détail ; ci-dessous oeuvre entière] Graphite, plume, encre noire et aquarelle sur papier entoilé, 0,8 x 3,2 m

Joseph-Louis-Achille Joyau (1831 – 1873) Temple d’Héliopolis, état actuel, façade latérale sud [à gauche : détail ; ci-dessous oeuvre entière] Graphite, plume, encre noire et aquarelle sur papier entoilé, 0,8 x 3,2 m

Joseph-Louis-Achille Joyau (1831 – 1873) Temple d’Héliopolis, état actuel, façade principale Graphite, plume, encre noire et aquarelle sur papier entoilé, 0,6 x 1,4 m

Gaston-Fernand Redon (1853 – 1921) Héliopolis. Temples de Baalbek, plan de restauration à 0 m 01 p.m., élévation restaurée des façades des temples. Graphite, plume, encre noire et aquarelle sur papier entoilé, 1,3 x 3,2 m

Joseph-Louis-Achille Joyau (1831 – 1873) Vue du temple d’Héliopolis à Baalbek Graphite et aquarelle, 0,15 x 0,5 m

Joseph-Louis-Achille Joyau (1831 – 1873) Rue au Caire Pierre noire, lavis d’encre de Chine, rehauts de gouache blanche et beige sur papier bleu, 0,35 x 0,23 m

BILLETTERIE RESPONSABLE 

 

2, 5 ou 10 €, c’est vous qui choisissez !

La billetterie responsable invite chaque visiteur venant découvrir une exposition aux Beaux-Arts de Paris à choisir son ticket d’entrée parmi 3 tarifs proposés : 2 €, 5€ ou 10 €. Contribuez selon vos moyens, votre passion et votre désir d’engagement !

Gratuité (sur présentation d’un justificatif en cours de validité) :

• moins de 18 ans

• étudiants et enseignants des écoles nationales supérieures d’art et d’architecture du Ministère de la Culture

• étudiants des institutions membres de l’Université Paris-Sciences-et- Lettres (PSL)

• étudiants de l’École du Louvre

• titulaires de la carte du Ministère de la Culture

• Amis des Beaux-Arts de Paris

• détenteur des cartes : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)

• journalistes

• demandeurs d’emploi, bénéficiaires des minima sociaux

• handicapés civils et mutilés de guerre (avec un accompagnateur)

 

From saturday 10 september 2022 to sunday 2 october 2022

Wed. to Sun. 1pm-7pm

POUSH

153 avenue Jean Jaurès, Aubervilliers

FREE ENTRY

At the initiative of the Beaux-Arts de Paris, Felicità Milieu des choses invites the thirty-five artists Felicità 2020 and 2021 of the Beaux-Arts de Paris to offer a very personal reading of the environment and its edges, on a proposal by the artist and curator Thomas Fougeirol.

"Each artist is a milieu around which multiple ecosystems gravitate, the result of a personal history and different socio-cultural contexts. How sensitive are we to other environments, to others in their environments? The world is full of objects and connections are made at lightning speed, the artist must slow down to make other things, other events with a deep and intimate resonance. The skin, the texture of these things and performances are like drums, they materialize deep sounds.

If some artists think of the thing as a target to be reached by planting its arrow in its middle, others explore its edges." Thomas Fougeirol

Organized outside the walls, the exhibition Felicità Milieu des choses is the result of a collective work. The works and performances have been imagined to take over the large 1,800 m2 plateau of POUSH in Aubervilliers.

 

A publication accompanies the exhibition.

Curated by Thomas Fougeirol.

Reservation

 

Congratulated 2020

Among the 94 students who graduated in 2020, 14 were congratulated by the jury presided by Béatrice Gross and composed of Marc Bembekoff, Mohammed Bourouissa, Emilie Renard and Barthélemy Toguo.

Kenia Almaraz-Murillo, Amie-Sarah Barouh, Thibaut Bouedjoro-Camus, Audrey Carmes, Diane Chéry, Gabriel Day-Boulongne, Théo Krief, Gaspard, Elsa Michaud, Chalisée Naamani, Keijiro Nagamine, Winnie Mo Rielly, Robin Rozenkranc, Lucas Tortolano.

Congratulated 2021

Among the 123 students graduating in 2021, 21 were congratulated by the jury chaired by Thomas Fougeirol and composed of Alexandra Baudelot, Aude Cartier, Gaëlle Choisne, Marianne Lanavère, Julia Marchand, Myriam Mihindou and Matthieu Poirier.

Chadine Amghar, Barbana Bojadzi, Lucas Bouan, Félix Bouttier, Javier Caro Temboury, Clara Champsaur, Clément Courgeon, Pauline d'Andigné, Darya Danilovich, Elisa Florimond, Clédia Fourniau, Juliette Green, Konstantinos Kyriakopoulos, Halldora Magnusdottir, Dylan Maquet, Hedi Nabil, Louise Rocard, Eulalie Thebault Maviel, Eugénie Touzé, Chloé Vanderstaeten, Constantin Von Rosenschild Paouline.

Practical information

Subway : line 7 station Fort d'Aubervilliers
Bus : 152, 330, N42
Bicycle : vélib station at 3 mn walking distance

Free access

Reservation

Festive opening day on Saturday, September 10

Program of animations and performances :

3:30 pm : Audrey Carmes

4pm : Diane Chéry

4:30 pm : Clément Courgeon

5pm : Elsa Michaud

5:30 pm : Lucas Bouan

6pm : Lucas Tortolano

 

Affiche

From wednesday 13 july 2022 to tuesday 18 october 2022

Monday to Sunday 9.30am-11am and 1pm-5.30pm (closed on Tuesday)

Musée national Eugène Delacroix

6 rue de Furstemberg, 75006 Paris

ENTRÉE PAYANTE

As part of "Delacroix and colour", a new presentation of the collections, the Musée national Eugène-Delacroix has invited student artists from the "Artists and Exhibition Professions" course at the Beaux-Arts de Paris to take over the painter's room to revive the spirit of the place using contemporary works.

"Pièce, habitation, abri" is a project in dialogue with the museum, the artist-curators Fanny Irina, Amandine Massé and Caroline Rambaud, who propose a selection of works by young artists from the School and reactivate an imaginary room. In this room, where one has the impression that traces of a former presence remain, the artists sow their memories, some of them calling on the imagination, others inhabiting the place for the duration of a reverie.

Practical information

Eugène Delacroix National Museum
6 rue de Furstemberg, Paris 6
Reservation recommended on the website http://www.musee-delacroix.fr/fr

Full price ticket: €7

 

From friday 1 july 2022 to sunday 17 july 2022

From 10am to 6pm daily (last entry 5.15pm)

Donjon du Château de Vincennes

1 avenue de Paris, 94300 Vincennes

ENTRÉE PAYANTE

The Centre des monuments nationaux and the Beaux-Arts de Paris are joining forces to present an exhibition entitled "The Witch, the Jester, the Sentinels, the Ghost and the Princess", produced by students in the "Artists & Exhibition Professions" programme in the dungeon of the Château de Vincennes. The curator is the student-artists of the course: Joséphine Berthou, Charline Gdalia, Jean-Baptiste Georjon and Clarisse Marguerite.
 
The Château de Vincennes is the ideal setting for this exhibition, which questions the symbolic characters of the tale and the stereotypes associated with this literary genre. Through this project, which uses the dungeon of the Château de Vincennes as a fictional setting, the students of the Beaux-Arts de Paris question the traditional narrative models of fairy tales and the collective memory. Throughout the visit, the spectator is plunged into a magical universe where contemporary art comments on the images created by centuries of history.
 
Each area of the castle is dedicated to a typical character from the tale: the chemin de la ronde, for example, is devoted to the figure of the sentry. 46 works by artists from the Beaux-Arts de Paris, selected in response to a call for projects, will be presented in a predefined format, with reference to the guards of Charles V. At the time, a hundred or so men in the service of the King populated the covered way. Together, they ensured his protection by preventing anyone from entering the keep. Today, the ghosts of these guards continue to inhabit the corridors...
 
Other works, inspired by archetypal figures, are scattered throughout the castle keep. The character of the witch appears on the "cursed lawn", the jester is embodied in the council chamber, the princess resides on the second floor of the tower and the ghost haunts the ground floor. Plastic and performance works meet and dialogue with each other, like the life-size game of geese drawn on the grass by Clarisse Marguerite, which will serve as the basis for Chloé Poitevin's performance on the opening day. The giant board will allow her to draw the contours of her magical universe, where, through a work on costume and its symbols, she will revisit the characters of the tale to activate their stereotypes.
 
Artists exhibited: Juliette Barthe, Amélie Bigard, Joséphine Berthou, Sacha Cambier, Caroline Delhom, Nathan Ghali, Charline Gdalia, Jean-Baptiste Georjon, Anna Giner, Yvan Ivanovic, Maya Kafian, Léa Le Floch, Lena Long, Clarisse Marguerite, Nicole Mera, Nos Lèvres Révoltées, Chloé Poitevin, Loïs Saumande, Alisson Schmitt, Liv Schulman, Masha Silchenko

Practical information

Château de Vincennes
1 avenue de Paris, 94300 Vincennes
Reservation recommended on the website http://www.chateau-de-vincennes.fr/

Full price ticket: €9

 

From thursday 30 june 2022 to saturday 2 july 2022

Thursday to Saturday 1pm - 7pm

Atelier de dessin

14 rue Bonaparte, 75006 Paris

FREE ENTRY

Exhibition of the four candidates and the winner of the 2022 Contemporary Drawing Prize, awarded by the association Le Cabinet des amateurs de dessin des Beaux-Arts de Paris. The winning artist receives €4,500 and one or more of his or her works are acquired by the Cabinet Bonna to enrich its collections.

List of nominees 2022 :

Cassius Baron

Alexis Gavriloff

Elina Huneman

Louise Janet

Léa Le Floc'h

 

2022 Prize Selection Committee: Sylvie Prouté, Annie Prouté, Emmanuel du Douët de Graville, Daniel Guerlain, Nicolas Joly, Laurie Marty de Cambiaire, Kathy Alliou and Emmanuelle Brugerolles.

President of the jury: Stanislas d'Alburquerque

Members of the 2022 jury: Matthieu de Boisséson, Florence Guerlain, Cecilia Hottinguer and Daniel Thierry.

 

Curators of the exhibition :

Emmanuelle Brugerolles and Enzo Meglio

 

Free admission to the exhibition

From 30 June to 2 July 2022

1pm - 7pm

Drawing workshop

14 rue Bonaparte, Paris 6

 

Drawing : Colère Graphite on paper, 50x60cm, 2021 - Tiziano Foucault-Gini

 

From thursday 30 june 2022 to saturday 2 july 2022

Thursday to Saturday 12am - 7pm

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006 Paris

FREE ENTRY

The exhibition presents the 12 winners of the 2021 prizes and bursaries awarded by the Friends of Fine Arts in Paris
 

The Prizes of the Friends of Fine Arts in Paris

agnès b., president of the Friends of Fine Arts in Paris and the members of the board are pleased to present the 7 winners, including two artists ex æquo, of the 6 prizes awarded by the association in 2021.
Arnaud Adami, Barbana Bojadzi, Max Coulon, Juliette Green, Elise Nguyen Quoc, Valentin Ranger, will each receive an endowment of 5,000€ (for the ex æquo the endowment is shared) on the decision of the members of the jury1 with regard to the whole of their work and the relevance of their artistic approach.


These prizes are intended to provide financial assistance to students of the École des Beaux-Arts and to facilitate their transition to professional life. With the exception of the Portrait Prize, which is open to all, they are reserved for 3rd and 5th year students.


In 2021, six sponsors have offered a prize of €5,000.

  • agnès b., for the agnès b. prize created in 2008
  • The Thaddaeus Ropac gallery, for the Thaddaeus Ropac prize created in 2008
  • Bertrand de Demandolx-Dedons, for the Portrait Prize created in 2012
  • Nathalie Prouvost, for the Khalil de Chazournes Prize created in 2018
  • Cabinet Weil, Gotshal & Manges, for the Weil Prize created in 2018
  • The members, for the Friends' prize created in 2019
     

The Friends of the Beaux-Arts de Paris grants

agnès b., president of the Friends of the Beaux-Arts de Paris, and the members of the board are pleased to exhibit the three artists who will be awarded grants in 2021.
Olivier Bémer, Tania Gheerbrant and Hatice Pinarbasi will each receive an endowment of €5,000, as decided by the members of the selection committee1, in recognition of their body of work and the relevance of their artistic approach.

The François Dujarric de la Rivière grants

agnès b., president of the Amis des Beaux-Arts de Paris, and the members of the board are pleased to exhibit the two artists who won the François Dujarric de La Rivière grants in 2021.
Angela Noir and Ayuna Ochirova will each receive an endowment of 5,000€ after the jury1 has decided on the quality of the artistic files, their richness and finesse, as well as the strength of the candidates' artistic commitment.
The François Dujarric de la Rivière scholarships, each worth €5,000, are awarded every year to two students who have passed through the VIA FERRATA preparatory class and been admitted to the Beaux-Arts de Paris. They are awarded on the basis of social criteria, the quality of the artistic file, success in the competitions, personal investment and motivation.
VIA FERRATA would like to warmly thank the Friends and the Dujarric family for the precious support given to its students through this award.

 

The 2021 Friends' Prizes can be found on the Atlas des Beaux-Arts de Paris

More information on the Amis des Beaux-Arts or become a member of the association

 

From thursday 16 june 2022 to sunday 4 september 2022

Wed. to Sun. 12am - 8 pm

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

BILLETTERIE RESPONSABLE

With the support of the Beaux-Arts de Paris, Chaumet invites you to discover Végétal - L'École de la beauté. Crossing visions, periods and media, this original exhibition invites you to look at nature through the universal prism of art and beauty.

Initiating the project, Chaumet drew on its vast heritage, one of the most important in the history of jewellery in Europe, to make its botanical vision resonate with all the artistic forms that have also looked at plants.

Curator of the exhibition, the botanist Marc Jeanson has imagined Végétal as a herbarium, composed from the species present in Chaumet creations.

Nearly 400 works offer the public a free stroll through 5,000 years of art and science, told through a dialogue between paintings, sculptures, textiles, photographs, furniture and 80 jewellery objects from Chaumet and other houses.

For this exhibition, more than 70 museums, foundations, galleries and private collectors have lent works: the Museum of Natural History, the Orsay and Louvre museums, the Institut de France, the Victoria and Albert Museum, the Pistoia Musei, the Musée de l'École de Nancy, the Royal Botanic Gardens of Kew, the Kunsthalle of Hamburg, the Albion Art Collection of Tokyo, to name but a few

Prepare your visit 

The exhibition closes at 8pm, so we do not recommend entering after 7pm, as the visit lasts about 1 hour and you will not have enough time to discover the whole exhibition.

Reservations

To guarantee the best welcome, reservations are required online or on site before the exhibition visit. After purchasing the ticket, it is possible to modify the reservation slot but not to cancel it (no refund possible).

Customer service 

Telephone line open from Tuesday to Saturday 10am to 6pm at 01 47 48 79 06.
E-mail vegetal@chaumet.com

 

Reservation

 

Responsible ticketing - Beaux-Arts de Paris

2, 5 or 10 euros, the choice is yours!
The responsible ticketing service invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed prices: €2, €5 or €10.  
All profits will be donated to the Beaux-Arts de Paris.
A reservation fee of €0.99 is payable.


The responsible, simple and clear pricing system establishes a new relationship with the Beaux-Arts de Paris while making the exhibitions accessible to as many people as possible. Through an innovative and responsible approach, it invites the public to choose its contribution, according to its means, its passion and its desire to commit to the School.
Certain visitors may be eligible for free admission upon presentation of proof of entitlement (see the people concerned when you book your ticket).

 

RESPONSIBLE TICKETING 

 

 

2, 5 or 10 €, the choice is yours!

The ticket office in charge invites each visitor coming to discover an exhibition at the Beaux-Arts de Paris to choose his or her entrance ticket from among 3 proposed rates: 2 €, 5 € or 10 €. Contribute according to your means, your passion and your desire for commitment!

There is a booking fee of €0.99. Book by clicking on this link.

All profits will be donated to the Beaux-Arts de Paris.

Free of charge (on presentation of a valid receipt):

• under 18 years old

• students and teachers of the National Higher Schools of Art and Architecture of the Ministère de la Culture

• students from member institutions of the University of Paris-Sciences-et- Lettres (PSL)

• students of the École du Louvre

• holders of the Ministère de la Culture card

• Amis des Beaux-Arts de Paris

• card holder : Maison des Artistes, ICOM, ICOMOS, Association française des commissaires d’exposition (CEA)

• journalists

• jobseekers, recipients of minimum social benefits

• civilian disabled and war-disabled (with an attendant)

 

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