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Tuesday 24 November 2020

2:00pm - 5:00pm

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VISIO

As part of the Diagonal Philosophy coordinated by Clélia Zernik within the Chair of the Present Chair of Beaux-Arts de Paris, Jean-Christophe Bailly will evoke the importance of the animal presence in our understanding of the world.

 

Hypnose, new publication of the Beaux-Arts de Paris editions.

Pascal Rousseau, an art historian and professor at Beaux-Arts de Paris, offers a fascinating visual history of hypnosis and links for the first time artistic practices with the cultural history of hypnotism. This unique publication brings together more than 500 illustrations.

 

On the occasion of the Hypnose exhibition at the Nantes Museum of Art, of which Pascal Rousseau is one of the curators.

 

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Thursday 26 November 2020

6:00pm - 7:00pm

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Dork Zabunyan

Dork Zabunyan is a professor of film studies at the University of Paris 8 Vincennes-Saint-Denis. Among his publications : Les Cinémas by Gilles Deleuze (Bayard, 2011), L'Insistance des luttes - Images, soulèvements, contre-révolutions (De l'incidence éditeur, 2016), or Foucault at the Movies (Columbia University Press, 2018) with Patrice Maniglier. He has also produced with Laurent Jeanpierre a book of interviews with Jacques Rancière, La Méthode de l'égalité (Bayard, 2012).

 

This residency, initiated by former members of the wood workshop of the Beaux-Arts de Paris, confronts the practice of artists working in France with that of local artists. From Dakar to Abidjan, where Cotonou, Togolese and even Beninese artists were present at the invitation of the association Atelier Ati.

 

They all met in Lomé from 2 to 15 November 2020 to work with creators from France. On this occasion, Mrs Charlotte Ahyi, widow of the great Togolese artist Paul Ahyi, made available to the association the premises of the museum dedicated to the master's work.

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Thursday 19 November 2020

6:00pm - 7:00pm

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Eric Reinhardt

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Thursday 12 November 2020

6:00pm - 7:00pm

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Sandra Delacourt

L'artiste chercheur : un rêve américain au prisme de Donald Judd, the latest essay by Sandra Delacourt published by B42, retraces the emergence, since the middle of the 20th century, of a figure of the artist whose activity is shifting into the academic field, opening up a new imaginary for art.

Sandra Delacourt is an independent art critic, professor of contemporary art history at ESAD TALM-Tours and associate researcher at HiCSA (Université Paris 1). 

 

Produced with the support of Société Générale.

 

Stéphane

Calais

Studio professor

After studying at the Beaux-Arts in Nîmes and the Institut des Hautes Études en Arts Plastiques in Paris, Stéphane Calais was nominated for the Ricard Foundation Prize in 2008 and the Marcel Duchamp Prize in 2009.

His work can be found in a number of private collections in France, the United States, Belgium and Japan, as well as in various museums, including the Centre Pompidou. He is also an occasional curator and art critic. He has taught at the Rijksakademie, Amsterdam, since 2008. Primarily a painter, his work deals with forms and how to play with them.

 

© M.Taureilles

 

 

Thursday 5 November 2020

6:00pm - 7:00pm

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Gaël Charbau

An artistic director and independent curator, Gaël Charbau founded Particules in 2003, a free independent art journal that he ran until 2010. In 2014, together with Laurent Dumas and Angélique Aubert, he created the "Bourse Révélations Emerige", dedicated to the promotion of young French artists.

Postponed

Wednesday 18 November 2020

6:00pm - 7:30pm

Amphithéâtre des Loges

14 rue Bonaparte, 75006

As part of the exhibition Critical Zones at the ZKM in Karlsruhe, Germany, which he curated, Bruno Latour talks about the critical zone, this unsuspected territory that we must get to know and inhabit, in order to finally terrestrialize ourselves.

 

Invited as part of the chair "Inhabiting the landscape: where art meets the living world", coordinated by Estelle Zhong Mengual.