Elina Kulich, 2023 graduate, presents her end-of-residency exhibition at the Musée Jean-Jacques Henner. In partnership with Beaux-Arts de Paris.
Échos explores the memory of the Museum's spaces through drawing and painting. During five months spent in the studio overlooking the winter garden, Elina Kulich conducted research and created works based on the different historical layers of the building, formerly the private mansion of artist Guillaume Dubufe, itself built by Roger Jourdain at the end of the 19th century.
True to the spirit of Minou Amir-Aslani, whose commitment to sharing knowledge and promoting culture continues to uphold, the Foundation is renewing its commitment to Beaux-Arts de Paris in favour of welcoming young audiences.
Its support has made it possible, for the third year running, to welcome around 1,900 schoolchildren each year, who enjoy special tours of the premises and exhibitions, as well as art workshops and meetings with young graduates of the School on a variety of themes.
Congratulations to Xie Lei, 2010 graduate and doctoral student until 2016 at Beaux-Arts de Paris, winner of the prestigious Marcel Duchamp Prize.
Awarded by the Association for the International Diffusion of French Art (Adiaf) to highlight the richness of the French art scene, the Marcel Duchamp Prize aims to recognize and promote internationally the artists most representative of their generation.
From friday 14 november 2025 to thursday 4 december 2025
Entrée libre du lundi au samedi de 11h à 19h
Centre Wallonie-Bruxelles
127-129 rue Saint Martin, Paris 4
Beaux-Arts de Paris is delighted to participate in the sixth edition of LABO_DEMO, an initiative that aims to promote emerging and as yet unidentified artistic talents in order to highlight both the distinctive features of Belgian and French art school training programs and their interconnection at a time when artistic careers are becoming increasingly international.
The exhibition recreates, in its very scenography, the simulacrum of a corporate workspace. But this fictional coworking space is riddled with flaws, saturated with bugs, haunted by ghosts. It becomes the scene of a multitude of attempts at resistance aimed at breaking the spell of capitalist and bureaucratic logic. Some works bring back repressed emotions and muffled voices from vanished professions and deserted factories. Others invent corporate fictions or attach themselves to the administration to derail it. In this unstable landscape, populated by art-eating insects and nostalgic bots, team building turns into a dystopian tale. Slogans turn into tales of collapse. In places, dreams of escape pierce the sanitized surface of reality, like lights at the end of the tunnel.
Artists from Beaux-Arts de Paris: Joséphine Berthou, Ruoxi Jin, Raphaël Maman, Sara Noun, Clarisse Pillard, and Éditions Burn Aout.
Practical information
November 14 to December 4
Centre Wallonie-Bruxelles
Gallery, 127-129 rue Saint Martin, Paris 4
Free admission Monday to Saturday from 11 a.m. to 7 p.m.
Felicità 2025 is the catalog for the exhibition curated by Mathieu Kleyebe Abonnenc. It showcases the works of 24 emerging artists selected by the 2025 jury and also presents the work of 80 artists graduating in 2025, including those selected by the jury.
Published by Beaux-Arts de Paris éditions, this catalog captures, as it does every year, a pivotal moment: the moment when exceptional young creators are preparing to transform the world of contemporary art.
From friday 7 november 2025 to sunday 16 november 2025
Tous les jours de 13h à 19h
Cour Bonaparte et Cour vitrée
14 rue Bonaparte, 75006 Paris
In partnership with PhotoSaintGermain, Beaux-Arts de Paris and École nationale supérieure de la photographie in Arles are joining forces to organize an exhibition entitled Paradis artificiels (Artificial Paradises), presented in various spaces at Beaux-Arts de Paris.
This exhibition takes the form of a journey through technology, with a particular focus on artificial intelligence and the upheavals it is causing in all strata of society. It explores the misuse of tools and technology as a field of possibilities, with prompts paving the way for new poetic and creative licenses. More broadly, the exhibition raises questions about artifice and a hallucinatory world where disasters, fake news, and seas of plastic populate social media as much as the pages of newspapers.
Artificial Paradises provides an overview of photographic approaches as practiced at the Beaux-Arts de Paris and the École Nationale Supérieure de la Photographie in Arles.
Curated by Audrey Illouz and Vincent Lambert, assisted by Geoffrey Soghomonian, with the assistance of Tatiana Rosette and Olivier Vernhes.
Beaux-Arts de Paris artists: William Basseux, Léonard Berthou, Lea Citi, Simon Deterre, Lea Farant, Eric Godin, Chia Huang, Anjeyanne Huynh, Shumeng Li, Melina Malheurty, Olivier Perusat, Ilona Plissonneau, Ingrid Portal, Colombe Thaller, Emmanuel van der Elst.
ENSP Arles artists: Ulysse Barry, Aure Baucher, Cécile Blaque, JINGDI, Mathis Clodic, Valentin Derom, Fiona Faivre, Orane Grunenwald, Eva Sustar, Morgane Ubaldi, Charlotte Van de Walle, Baptiste Vitorino, Samuel Vorms.
With the support of Neuflize OBC corporate foundation, patron of the Extra-Large Photography Chair at Beaux-Arts de Paris, and Dupon.photo.art.
Practical information
November 7 to 16
Cour Bonaparte and Cour vitrée
Free admission from 1 p.m. to 7 p.m.
14 rue Bonaparte, Paris 6
Photo credits: Chia Huang, Océan temporaire, 2018
Baptiste Vitorino, Sous le soleil, 2025
Wednesday 19 November 2025
6:00pm - 7:30pm
Amphithéâtre d'Honneur
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
A look back at the biography of a storyteller
On the occasion of the Un Week-End à l'Est festival, which this year honors the Romanian art scene, Cristian Mungiu, patron of this 9th edition, discusses the making of his book Une vie roumaine (A Romanian Life), in which he questions his relationship with truth and reminds us that storytelling remains an act of resistance. In conversation with Arnaud Laporte, journalist and producer at France Culture.
From wednesday 26 november 2025 to sunday 1 february 2026
Wednesday to Sunday 1 p.m. – 7 p.m. Late night opening on Wednesdays until 9 p.m
Palais des Beaux-Arts
13 quai Malaquais, 75006 Paris
Felicità 2025 presents the 24 artists who obtained their diplôme national supérieur d'arts plastiques from Beaux-Arts de Paris with honors from the jury, chaired by Mathieu Kleyebe Abonnenc, curator of the exhibition.
The exhibition invites visitors to take unusual and unique paths to construct, under a shared sky, a renewed image of the world and the cyclones that sweep across it. How can we inhabit a world when disaster seems imminent? How can we build community, repair, slow down, represent, and re-enchant the world, and perhaps manage to extricate ourselves from the continuous flow of images and representations that reduce reality?
“The works brought together for this exhibition are those we discovered during each artist's graduation, and which, in their diversity of medium and skill, ranging from video installation to sculpture and painting, paint a complex and sensitive picture of our contemporary condition.” - Mathieu Kleyebe Abonnenc, exhibition curator
With the artists :
Mehdi Boualli
Sila Candansayar
Virgile Desbat
Ladji Diaby
James Dosa
Marine Ducroux-gazio
Héléna Fourmont
Yann Fonseca Rodrigues
Cléopatra Gones
Hugo Hectus
Sanggu Kim
Arya K/Nell
Adrien Lagrange
Ibrahim Meïté Sikely
Winca Mendy
Salomé Moindjie-Gallet
Viktoriia Oreshko
Liselor Perez
Caroline Rambaud
Rose Ras
Apolline Régent
yietnu (duo d'artistes, Yi ZHANG et Nu HA)
Yi YE
A catalog accompanies the exhibition.
The exhibition and catalog are supported by ICICLE.
Late-night events related to the exhibition:
(Off-site) Wednesday, 14 January - 7:00 p.m. to 8:30 p.m.
A programme of short films showcasing the work of artists who have developed a unique cinematic style. From documentary to fiction, this screening of films by Virgile Desbat, Marine Ducroux-Gaziot and Salomé Moindjie Gallet will be followed by a discussion with Mathieu Abonnenc. They explore themes of desire and power, the anticipation of impending disaster and the hope for a new life.
Marine Ducroux-Gazio
The Rainmaker (II, Raingrass), 14', 2025
Virgile Desbat
Dear Ray, 5,5, 2025
Reject, 14’, 2025
Salomé Moindjie-Gallet
Uma Gota de Agua no mar, 15' , 2025
Christine Cinéma Club
4 rue Christine, 75006
Student-led tours – guided tours of the exhibition:
Wednesdays at 6pm.
Thursdays and Fridays at 5pm.
Saturdays and Sundays at 4pm.
Visits are free with an admission ticket and no booking is required.
Duration: approximately 1 hour.
Closures:
The exhibition will be closed on Thursday 25 December 2025 and Thursday 1 January 2026.
Exceptional early closure at 4pm on Wednesday 24 and Wednesday 31 December 2025.
Thursday 13 November 2025
7:00pm - 8:30pm
Amphithéâtre des Loges
14 rue Bonaparte, 75006 Paris
ENTRÉE LIBRE
Technological wanderings
The quest for immortality, cryogenics, personal development, resource depletion, pyropictomania (or the pleasure derived from images of energy dissipation)... From the American West to the Atlantic coast, against a backdrop of climate catastrophe, we meet the authors of two books devoted to the technological turning point we are currently experiencing. How do these writings, connected to the visual arts and imbued with displacement, capture this turning point?
