| Beaux-arts de Paris

This workshop links the stories of artists from Asia, Africa and Latin America who worked and studied in Paris between 1945 and 1989.

By identifying hinge figures, intersecting nodes, parallel and transverse lines of connection, this collaborative research proposes a new analytical model that enables researchers to visualize south-south connections in order to conceptualize metropolises not as global points of origin or training grounds, but as spaces of intersection and flux that enable us to understand the transcultural conditions of modern art.

Les Beaux-Arts de Paris continues its commitment to ecological transition by renewing its partnership with La Réserve des Arts.

This non-profit association supports the development of a circular and solidarity-based economy in the cultural, creative and craft sector by collecting, valorizing and putting back into circulation materials from the sector. Membership of the “Club des Ecoles” program enables every student∙e, teacher.e and agent to become a member for a symbolic €1 and gain access to the purchase of materials at solidarity prices.

Echoing the Paris Noir exhibition at the Centre Pompidou, this meeting highlights the critical and decolonial pedagogies that have redefined pan-African artistic practices and influenced contemporary art education.

Seven venues, seven exhibitions: Laurent Le Bon, President of the Centre Pompidou, looks back at his curatorial practice through a selection of exhibitions - from Dada to Dioramas to Vides. A retrospective and Masterpieces?

For an evening devoted to the artist Frank Bowling, curator Julia Marchand and exhibition storyteller Chris Cyrille wanted to bring several voices into dialogue with his poetic work: that of artist and saxophonist Dimitri Milbrun and poet and pawolèz Simone Lagrand.

This workshop links the stories of artists from Asia, Africa and Latin America who worked and studied in Paris between 1945 and 1989.

Les Beaux-Arts de Paris continues its commitment to ecological transition by renewing its partnership with La Réserve des Arts.

Romane Charlot, a 2024 graduate, is the winner of the L'apes-Seqens / Groupe ActionLogement call for projects, organized with Beaux-Arts de Paris, for the Esselières parking lot in Villejuif (94).

“Chère Melpomène,

Le Manuel de la Forge invites you to plunge into the fascinating world of an ancestral art.

End of thesis exhibition by Célia Boutilier, 2019 graduate and SACRe doctoral student at Université PSL, Beaux-Arts de Paris