Through this partnership, the law firm, a loyal patron of Beaux-Arts de Paris, is renewing its commitment for three years and supporting young artists in three areas:


- Support for the Via Ferrata preparatory class, which welcomes 50 students each year from diverse social, geographical and cultural backgrounds.
- Professional development for students and recent graduates through introductory workshops on intellectual property law, led by specialist solicitors.

During this conference, the German philosopher and sociologist Hartmut Rosa revisits the concepts of the acceleration of our pace of life and resonance, which he has developed throughout his work (notably in Acceleration: A Social Critique of Time and Resonance: A Sociology of Our Relationship to the World, both published in French translation by La Découverte). If acceleration constitutes the central problem of our time, resonance may be the solution. Hartmut Rosa has renewed the analyses of the first generation of the Frankfurt School by considering alienation as acceleration.

Born in 1956, Welsh artist James Rielly was studio head at Beaux-Arts de Paris from 2005 to 2024.

This comprehensive monograph, with a preface by Jean-Charles de Castelbajac and an introduction by Anaël Pigeat, chronologically traces his career as an artist and allows readers to discover the true work of a colourist with a subtle and ethereal chromatic palette. 
 

All information about the book can be found HERE

Christmas private sale at Beaux-Arts de Paris bookshop 

Fine books and art books, engravings, posters, gift items, original creations by artists at exceptional prices.

Among the latest publications: Bernard Moninot, Le Fil d’alerte (The Warning Thread); the graduate catalogue and Félicités: Felicità 2025; The Bells Angels, Monochrome; the colouring book by Frédérique Loutz, Sonia Steinsapir, Une vie intranquille; the Manuel de la Forge by Carole Leroy; the monograph by James Rielly; the exhibition catalogue Rosso et Primatice: Renaissance à Fontainebleau...

The artist, filmmaker and researcher reflects on her approach to computational capitalism and the new modes of subjectivation it produces. In her films, she immerses herself in digital communities. Her first documentary film, La mécanique des fluides (The Mechanics of Fluids), is an investigation that takes as its starting point a suicide note posted by an incel (an involuntary celibate) on the Reddit platform entitled "America is responsible for my death". The investigation takes the form of a virtual drift across the internet in search of his digital traces.

Les Amis des Beaux-Arts de Paris is organising a masterclass with artist Fabrice Hyber in conversation with Pascal Rousseau, Professor of Contemporary Art History at Paris I-Panthéon Sorbonne University.


Since his debut in the 1980s, and then becoming one of the youngest winners of the Lion d'Or at the Venice Biennale in 1997, Fabrice Hyber has enjoyed growing attention on the international scene. He has exhibited in many prestigious institutional venues in France and abroad. In 2018, the artist was elected a member of Académie des Beaux-Arts.

With a preface by Éric de Chassey and contributions from Hervé Bacquet, Pascal Dusapin, Renaud Ego, Pierre Juhasz, Daniel Kuntz, Jacinto Lageira, Serge Lemoine, Bernard Moninot, Catherine Millet, Jean-Luc Nancy, and Baldine Saint-Girons, the book offers a wealth of colour illustrations.

Retracing his entire artistic career, Le Fil d'alerte offers a unique and richly illustrated immersion into the visual and intellectual universe of Bernard Moninot, professor of drawing at Beaux-Arts de Paris from 2005 to 2015.