From saturday 31 january 2026 to sunday 3 may 2026

Wednesday to Sunday, 11 a.m. to 6 p.m.

MO.CO. Panacée

14 rue de l'École de Pharmacie, 34000 Montpellier

L’esprit de l’atelier brings together 16 artists trained at Beaux-Arts de Paris in Djamel Tatah's studio, where he taught for fifteen years. The exhibition focuses on a "textbook case": the unique functioning of the Beaux-Arts de Paris studios.


Based on daily dialogue between an artist-teacher and his students, this workshop system does not aim to transmit a particular style, but rather to support each individual in developing their own practice. Djamel Tatah has thus trained a generation of artists who are now renowned for the power of their work and the diversity of their trajectories.

Bringing together more than 120 works, both recent and produced for the exhibition, L'esprit de l'atelier showcases a wide range of practices: painting, drawing, sculpture, weaving and installation. Between figuration and abstraction, reality and fiction, the works explore inner worlds nourished by multiple references, from the old masters to contemporary cultures.

What connects these artists is not a common aesthetic, but a shared experience of training and mentorship. The exhibition thus bears witness to the richness and diversity of the voices emerging from Djamel Tatah's studio, now fully established on the contemporary art scene.
 

With the artists: 
Kenia Almaraz Murillo 
Raphaëlle Benzimra 
Djabril Boukhenaïssi 
Tristan Chevillard 
Fabien Conti
Mathilde Denize 
Léo Dorfner 
Clémence Gbonon 
Bilal Hamdad 
Nina Jayasuriya 
Dora Jeridi
David Mbuyi 
Zélie Nguyen 
Pierre Pauze 
Blaise Schwartz 
Rayan Yasmineh
 

A catalogue published in partnership with Beaux-Arts de Paris éditions accompanies the exhibition.

Photo credit : © All rights reserved 

From tuesday 24 march 2026 to sunday 24 may 2026

Wednesday to Sunday 1 p.m. – 7 p.m. | Closed May 1rst

Cabinet des dessins et estampes - Jean Bonna

14 rue Bonaparte, 75006 Paris

The new exhibition at the Cabinet des Dessins et Estampes - Jean Bonna in Beaux-Arts de Paris focuses on Michelangelo to explore the concepts of influence and transmission.


Michelangelo holds a special place in the pantheon of great artists: his work, unanimously admired and based on unprecedented originality, resists those who seek to find perfection in it. 
In the 19th century, Michelangelo became an essential reference because he was the archetype of the 'artist-magician', according to Rodin's expression, who sought in his creations the mysterious springs of his own creativity.
 

After Michelangelo brings together some forty works – drawings, prints, photographs, sculptures – from collections that reveal the various ways in which the "divine" Michelangelo has been studied, copied, viewed or reinterpreted since the Renaissance, and particularly in the 19th century, by Géricault, Carpeaux and Rodin. The exhibition is enriched by works created for the exhibition by students of nine professors who have come together for this project: Pascale Accoyer, Claude Closky, Clément Cogitore, Frédérique Loutz, Jack McNiven, Guillaume Paris, Philippe Renault, Daniel Schlier and Valérie Sonnier.
 

The exhibition is accompanied by a catalogue and will be followed by an event from 9 to 11 April 2026, bringing together art historians, heritage specialists, students and professors from Beaux-Arts de Paris to discuss the reception of this immense figure of the Italian Renaissance in France.
 


CURATION

Alice Thomine-Berrada, Head of Collections at Beaux-Arts de Paris, and Estelle Lambert, Curator of Prints and Manuscripts at Beaux-Arts de Paris.
 

AMONG THE ARTISTS

Domenico del Barbiere, Guillaume Boichot, Léon Bonnat, Numa Boucoiran, Adolphe Braun, Jean Baptiste Carpeaux, Alphonse Chamson, Jacques Louis David, Étienne Delaune, Mathias Duval, Guillaume Duchenne de Boulogne, Jacques Édouard Gatteaux, Théodore Géricault, Alexandre Charles Guillemot, Hermann Heid, Louis Alexis Jamar, Paul Lepage, Charles Marville, Raffaele da Montelupo, Alphonse Antoine Montfort, Antoine Quatremère de Quincy, Joseph Théodore Richomme, Joseph Nicolas Robert-Fleury, Auguste Rodin, Martino Rota, Henri Joseph François de Triqueti, François Joseph Toussaint Uchard...


Visual credits: Jean-Baptiste Carpeaux, Étude d'après un détail du plafond de la Chapelle Sixtine de Michel-Ange, XIXe siècle, plume et encre brune sur papier, 11,5 x 18,7 cm © Beaux-Arts de Paris / Théodore Géricault, Étude d'après les figures des tombeaux des Médicis de Michel-Ange, mine de plomb et plume, encre brune sur papier beige, 23 x 28,1 cm © Beaux-Arts de Paris

From tuesday 24 march 2026 to sunday 24 may 2026

Wednesday to Sunday 1 p.m. – 7 p.m

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

Des mots et des mondes arose from a series of discussions about the role played by words in contemporary artistic practices, in which poetry and writing occupy an increasingly important place.


The exhibition explores how artists use words to create spaces of circularity and semantic shifts that allow for multiple narratives and worldviews, oscillating between writing and oral tradition. Words thus become vehicles for personal or collective emancipation, embodied in assemblages, positions and reconfigurations that are always intensely poetic.
 

Based on around a hundred works by students, artist-teachers and invited international artists, as well as collections from Beaux-Arts de Paris, Des mots et des mondes intertwines chronologies (from the 12th century to the present day), media (paintings, sculptures, drawings, photographs, videos, installations, artists' books, music, dance, etc.) and cultures to convey the incessant flow of information that surrounds us. It is not a question of saying more, but of saying things differently, in sensitive and unique ways, from multiple perspectives.


The exhibition is accompanied by a publication, a programme of events and a study day to be held on Wednesday 20 May 2026.


CURATION

Mélanie Bouteloup and Armelle Pradalier, co-heads of the "Artists & Exhibition Professions" programme.
With the participation of students from the programme: Jeyni Ba, Louise Baranger, Mickaël Berdugo, Clémence Carel, Jules Charabouska, Armel Cotinat Flynn, Sybille de Roquemaurel, Maeva Delettre, Eve Farache, Rafael Garcia Lara, Lucie Gholam, Sacha Kheireddine, Albane Liébel, Joséphine Loembe, Arthi Pauly, Laura Rutishauser, Tara Sammouri, Becem Sediri, Suzanne Vallejo Gomez, Léa Zarrad.

Scientific coordination for the collections: Estelle Lambert, curator of prints and manuscripts at the Beaux-Arts de Paris.

Associate teachers: Anne Bourse, Stéphane Calais, Claude Closky, Julien Creuzet, Tristan Garcia, Jean-Yves Jouannais, Emmanuel van der Meulen, Bruno Perramant and Chloé Quenum.


AMONG THE ARTISTS 

Xavier Antin, Shafic Abboud, Hala Alabdalla, Youssef Abdelke, Mayssa Abdelaziz, Amal Abdenour, Tassiana Aït-Tahar, Al-Hariri, Chadine Amghar, Aristote, Omar Ba, Babi Badalov, Antoine-Louis Barye, William Basseux, Pietro Bertelli, Judith Blum Reddy, Alexander Boghossian, Salomé Botella, Martha Boto, Jules Bourgoin, Anne Bourse, Yassin Bouzid, Rodolphe Bresdin, Stéphane Calais, Saul Calcagni, Ferdinand Carlier, Minna Castren, Henri Chetaille, Claude Closky, Lucas Cranach l'Ancien, Isaac de Crecy, Julien Creuzet, Bady Dalloul, Honoré Daumier, Odonchimeg Davaadorj, Li Deshayes-Parre, François Desprez, Brune de Soto, Georgette Diallo, Ndidi Dike, Dornac, Clara Duflot, Dizy Durand-Gnougnou, Irène Fanshawe, Nicolas Faubert, Lucy Citti Ferreira, Fringues de Dingues, Dominique Fournier-Willoughby, Brandon Gercara, Claude Gillot, Adolphe Giraudon, Cily Gonzalez, Grandville Guichoune de Berroeta, Joseph Grigely, Abraham Hadad, Te Ata Hapaitahaa-Conroy, Shakir Hassan Al Said, Christine Herzer, Himat, Katsushika Hokusai, Daniel Hopfer, Anna Jaccoud, Jean-Yves Jouannais, Juliette Green, Manabu Kochi, Ndayé Kouagou, Elie Laflorencie, Christian Lattier, Jules Laurens, Lou Le Forban, Maëlle Lucas-Le Garrec, Lê Văn Dê, Seulgi Lee, Anouk Léger, Lucille Léger, Léon et Lévy, Htein Lin, Pierre Loti, Prosper-Georges-Antoine Marilhat, Léonard Martin, Mathis Pettenati, Lydia Matiegou, Chloé Mennous, Dimitri Milbrun, Nuria Mokhtar, Bruno Perramant, Clarisse Pillard, Giovanni-Battista Piranesi, Marius Plaksine, Monique Poncelet, Nancy Elizabeth Prophet, Raban Maur, Loïs Rambeau, Soa Ratsifandrihana, Stéphanie Saade, Nena Saguil, Nadia Saïkali, Clément Schaab, Ursula Schultze-Blum, Pascal Sebah, Vega Serafina, Cécil Serres, Marie-Rose Soanie, Wanrong Song, Camille Soualem, Daniel Spoerri, Lorenz Stoër, Christine Sun Kim, Antoni Tapies, Colombes Thaler, Théodore Valerio, Cecilia Vicuña, Adrianna Wallis, Hans Weigel, Pan Yuliang, Liu Yuquian, Ossip Zadkine, Radouan Zeghidour...


Visual credit : Halldora Magnusdottir

From wednesday 15 october 2025 to monday 19 january 2026

Tous les jours, sauf le mardi, de 11h à 18h

Musée national Jean-Jacques Henner

43, avenue de Villiers 75017 Paris

Elina Kulich, diplômée 2023, présente son exposition de fin de résidence au Musée Jean-Jacques Henner. En partenariat avec les Beaux-Arts de Paris.


Échos explore la mémoire des lieux du Musée à travers le dessin et la peinture. Durant cinq mois passés dans l'atelier surplombant le jardin d’hiver, Elina Kulich a mené un travail de recherche et de création autour des différentes strates historiques du bâtiment, ancien hôtel particulier de l’artiste Guillaume Dubufe, lui-même construit par Roger Jourdain à la fin du 19e siècle.

Dans ses œuvres, Elina Kulich superpose les temporalités : à l’encre noire, elle dessine sur le motif les salles du musée tel qu’il se présente aujourd’hui ; à l’encre bleue, elle fait réapparaître l’agencement du lieu tel qu’il était du temps des Dubufe, d’après des archives, gravures et inventaires anciens. Les escaliers, éléments architecturaux originels, deviennent un fil conducteur visuel et symbolique, porteurs de mémoire et de transmission. Les époux Dubufe, les visiteurs, les objets, les réceptions d’hier et les événements culturels d’aujourd’hui s’y croisent dans un jeu de couches picturales.

L'exposition Échos est un dialogue sensible entre passé et présent, où chaque trait réveille la mémoire du lieu et révèle l’âme d’une maison devenue musée.

Elina Kulich est la septième artiste en résidence invitée à créer au musée Jean-Jacques Henner. Mise en place en 2017, cette collaboration avec les Beaux-Arts de Paris permet à des talents émergents de construire une œuvre en résonance avec les lieux et les collections de ce musée.


Elina Kulich est artiste plasticienne diplômée des Beaux-Arts de Paris en 2023. Lauréate du Prix des Amis des Beaux-Arts de Paris (2023) et du prix GIDE (2024), elle a également été finaliste à deux reprises du Prix du Dessin Contemporain (2022-23). Ayant remporté l'appel à projet des Vedettes de Paris, ses dessins ont été imprimés sur la coque d'un de leurs bateaux en juin 2025. Elle a également obtenu la bourse Bredin Prat (2023), ainsi que la bourse de dessin Hélène Diamond (2020). Elle a remporté le prix de Bande-Dessinée de la Société Française de Physique (2022), et celui de Libération-Apaj (2017). Elle fut lauréate du concours vidéo du C.R.O.U.S. de Strasbourg (2018).

Son travail a été présenté dans de nombreuses expositions collectives, notamment aux Estivales de Sceaux, à la biennale de la gravure de Sarcelle, aux Beaux-Arts de Paris, à la Halle de Fontenay, et à la galerie Marie de Holmsky. Elle a également participé à des projets internationaux, comme la Biennale de Venise (vidéo pour l’architecte Inessa Hansch) ou les Rencontres Internationales à la Haus der Kulturen der Welt à Berlin. Elle a été accueillie en résidence à la HfBK de Hambourg (programme ASA) et à Cartels, à La Défense.


Infos pratiques
Musée national Jean-Jacques Henner
43, avenue de Villiers
75017 Paris
Exposition du 15 octobre 2025 au 19 janvier 2026

Crédit visuel : © Elina Kulich
 

From friday 14 november 2025 to thursday 4 december 2025

Entrée libre du lundi au samedi de 11h à 19h

Centre Wallonie-Bruxelles

127-129 rue Saint Martin, Paris 4

Beaux-Arts de Paris is delighted to participate in the sixth edition of LABO_DEMO, an initiative that aims to promote emerging and as yet unidentified artistic talents in order to highlight both the distinctive features of Belgian and French art school training programs and their interconnection at a time when artistic careers are becoming increasingly international.


The exhibition recreates, in its very scenography, the simulacrum of a corporate workspace. But this fictional coworking space is riddled with flaws, saturated with bugs, haunted by ghosts. It becomes the scene of a multitude of attempts at resistance aimed at breaking the spell of capitalist and bureaucratic logic. Some works bring back repressed emotions and muffled voices from vanished professions and deserted factories. Others invent corporate fictions or attach themselves to the administration to derail it. In this unstable landscape, populated by art-eating insects and nostalgic bots, team building turns into a dystopian tale. Slogans turn into tales of collapse. In places, dreams of escape pierce the sanitized surface of reality, like lights at the end of the tunnel.

Artists from Beaux-Arts de Paris: Joséphine Berthou, Ruoxi Jin, Raphaël Maman, Sara Noun, Clarisse Pillard, and Éditions Burn Aout.

Practical information
November 14 to December 4
Centre Wallonie-Bruxelles
Gallery, 127-129 rue Saint Martin, Paris 4
Free admission Monday to Saturday from 11 a.m. to 7 p.m.
 

From friday 7 november 2025 to sunday 16 november 2025

Tous les jours de 13h à 19h

Cour Bonaparte et Cour vitrée

14 rue Bonaparte, 75006 Paris

In partnership with PhotoSaintGermain, Beaux-Arts de Paris and École nationale supérieure de la photographie in Arles are joining forces to organize an exhibition entitled Paradis artificiels (Artificial Paradises), presented in various spaces at Beaux-Arts de Paris.


This exhibition takes the form of a journey through technology, with a particular focus on artificial intelligence and the upheavals it is causing in all strata of society. It explores the misuse of tools and technology as a field of possibilities, with prompts paving the way for new poetic and creative licenses. More broadly, the exhibition raises questions about artifice and a hallucinatory world where disasters, fake news, and seas of plastic populate social media as much as the pages of newspapers.

Artificial Paradises provides an overview of photographic approaches as practiced at the Beaux-Arts de Paris and the École Nationale Supérieure de la Photographie in Arles.

Curated by Audrey Illouz and Vincent Lambert, assisted by Geoffrey Soghomonian, with the assistance of Tatiana Rosette and Olivier Vernhes.


Beaux-Arts de Paris artists: William Basseux, Léonard Berthou, Lea Citi, Simon Deterre, Lea Farant, Eric Godin, Chia Huang, Anjeyanne Huynh, Shumeng Li, Melina Malheurty, Olivier Perusat, Ilona Plissonneau, Ingrid Portal, Colombe Thaller, Emmanuel van der Elst.

ENSP Arles artists: Ulysse Barry, Aure Baucher, Cécile Blaque, JINGDI, Mathis Clodic, Valentin Derom, Fiona Faivre, Orane Grunenwald, Eva Sustar, Morgane Ubaldi, Charlotte Van de Walle, Baptiste Vitorino, Samuel Vorms.
 

With the support of Neuflize OBC corporate foundation, patron of the Extra-Large Photography Chair at Beaux-Arts de Paris, and Dupon.photo.art.
 

Practical information
November 7 to 16
Cour Bonaparte and Cour vitrée
Free admission from 1 p.m. to 7 p.m.
14 rue Bonaparte, Paris 6
 

Photo credits: Chia Huang, Océan temporaire, 2018
Baptiste Vitorino, Sous le soleil, 2025
 

From wednesday 26 november 2025 to sunday 1 february 2026

Wednesday to Sunday 1 p.m. – 7 p.m. Late night opening on Wednesdays until 9 p.m

Palais des Beaux-Arts

13 quai Malaquais, 75006 Paris

Felicità 2025 presents the 24 artists who obtained their diplôme national supérieur d'arts plastiques from Beaux-Arts de Paris with honors from the jury, chaired by Mathieu Kleyebe Abonnenc, curator of the exhibition. 
 

The exhibition invites visitors to take unusual and unique paths to construct, under a shared sky, a renewed image of the world and the cyclones that sweep across it. How can we inhabit a world when disaster seems imminent? How can we build community, repair, slow down, represent, and re-enchant the world, and perhaps manage to extricate ourselves from the continuous flow of images and representations that reduce reality?

“The works brought together for this exhibition are those we discovered during each artist's graduation, and which, in their diversity of medium and skill, ranging from video installation to sculpture and painting, paint a complex and sensitive picture of our contemporary condition.” - Mathieu Kleyebe Abonnenc, exhibition curator


With the artists :
Mehdi Boualli 
Sila Candansayar 
Virgile Desbat 
Ladji Diaby
James Dosa
Marine Ducroux-gazio 
Héléna Fourmont
Yann Fonseca Rodrigues  
Cléopatra Gones 
Hugo Hectus 
Sanggu Kim 
Arya K/Nell
Adrien Lagrange 
Ibrahim Meïté Sikely
Winca Mendy 
Salomé Moindjie-Gallet 
Viktoriia Oreshko 
Liselor Perez 
Caroline Rambaud 
Rose Ras 
Apolline Régent 
yietnu (duo d'artistes, Yi ZHANG et Nu HA)
Yi YE
 

A catalog accompanies the exhibition.
The exhibition and catalog are supported by ICICLE.


Late-night events related to the exhibition:

(Off-site) Wednesday, 14 January - 7:00 p.m. to 8:30 p.m.

A programme of short films showcasing the work of artists who have developed a unique cinematic style. From documentary to fiction, this screening of films by Virgile Desbat, Marine Ducroux-Gaziot and Salomé Moindjie Gallet will be followed by a discussion with Mathieu Abonnenc. They explore themes of desire and power, the anticipation of impending disaster and the hope for a new life.

Marine Ducroux-Gazio
The Rainmaker (II, Raingrass), 14', 2025

Virgile Desbat
Dear Ray, 5,5, 2025
Reject, 14’, 2025

Salomé Moindjie-Gallet
Uma Gota de Agua no mar, 15' , 2025
 

Christine Cinéma Club
4 rue Christine, 75006


Student-led tours – guided tours of the exhibition:

Wednesdays at 6pm.
Thursdays and Fridays at 5pm.
Saturdays and Sundays at 4pm.

Visits are free with an admission ticket and no booking is required.
Duration: approximately 1 hour. 


Closures:

The exhibition will be closed on Thursday 25 December 2025 and Thursday 1 January 2026.
Exceptional early closure at 4pm on Wednesday 24 and Wednesday 31 December 2025.

From tuesday 21 october 2025 to sunday 26 october 2025

Everyday from 10.am. to 7.pm.

Chapelle des Petits-Augustins

14 rue Bonaparte, 75006 Paris

Beaux-Arts de Paris is delighted to welcome Harry Nuriev and the Sultana Gallery (Paris) for Art Basel Paris.
 

Harry Nuriev presents Objets Trouvés (2025), a participatory installation transforming the Petits-Augustins chapel into a space for circulation and exchange. Carefully aligned supermarket boxes are filled with objects brought in by visitors. Each person leaves an object they no longer need and takes another left by someone else. Each contribution is certified as a work of art, and at the end of the exhibition, all exchanges will be compiled in a Yellow Pages-style directory, transforming this ephemeral process into a permanent archive.

Harry Nuriev describes his practice as Transformism—the reinvention of everyday materials to give them new functions and meanings. With Objets Trouvés, he extends this philosophy into a collective dimension, where the simple act of exchange becomes social interaction as much as artistic creation.

This is the fourth project in the Public Program organized by Art Basel Paris in collaboration with the Beaux-Arts de Paris. 
A mediation program will be provided every day from October 21 to 26, 2025, from 2:00 p.m. to 5:30 p.m. by students from the École du Louvre.

 

Photo credits: Harry Nuriev, Objets Trouvés, project 18 © Harry Nuriev

From wednesday 17 september 2025 to sunday 26 october 2025

Free admission from 2 p.m. to 6 p.m.

Église des Trinitaires

1 rue des trinitaires, 57000, Metz

Fourteen student artists from the Fresco & Art in Context program at Beaux-Arts de Paris created works specifically designed for the Trinitaires Church in Metz, drawing inspiration from their discovery of the forests on the outskirts of the city.

An invitation from Viviane Zenner (Galerie des Jours de Lune) in partnership with the city of Metz.

More than 2,000 years ago, Metz was known as Divodurum Mediomatricorum, “the divine enclosure between two rivers,” located in the heart of the territory of the Celtic Mediomatrici tribe. Under the growing influence of Rome, the city gradually broadened its spiritual horizons. The inhabitants adopted a profusion of new cults, welcoming goddesses from distant lands.

In the heart of the city, the Trinitaires church, built in its current form in the 18th century, has had several lives and seems to be in a state of eternal transformation. The transition period of the contemporary world, in which the spiritual landscape is being redrawn, this “pivotal age” according to philosopher Karl Jaspers, has led the artist-students of the “Fresco & Art in Context” program at Beaux-Arts de Paris to explore the very notion of worship and the nature of the potential rites of tomorrow.

They are taking over the Trinitaires for a final contemporary art exhibition, drawing inspiration in particular from their discovery of the Meuse forest a few dozen kilometers from Metz. The church is thus linked to the forest, at the edge of the woods, dark and deep, giving way to the imagination of darkness: it serves as a boundary between the real world and the invented world. Searching through the beliefs and practices of the past, proven or imagined, to imagine the cults of the future, to offer speculative thinking, an attentive, meditative experience of the place.

The program is supported by the Gecina Foundation, Vedettes de Paris, Apes/Action Logement group, RM Yachts, and Compagnie de Phalsbourg.


Participating students/artists: Ash, Mehdi Babaei, Helena Heras, Ruoxi Jin, Bahar Kocabey, Jade Maignan, Baptiste Marfaing, Sarah Melloul, Amine Merhoum, Lou Olmos Arsenne, Héloïse Sailly, François Toison, Mehdi Shineshen, Wiktoria Wojciechowska

Guest artists/teachers: Bertrand Planes and Charlotte Imbault

From thursday 10 april 2025 to sunday 11 may 2025

April 10 to May 11, 2025, Wednesday to Sunday, 2pm-7pm

La Villette

211 avenue Jean Jaurès, Paris 19e

Beaux-Arts de Paris is delighted to take part in the 7th edition of 100% L'EXPO, which opens the Grande Halle de la Villette to young artists who have recently graduated from French art schools

The works of some forty artists are displayed over 3,500 m² in the Grande Halle de la Villette, in a scenography composed entirely of salvaged elements from previous events.

For this 7th edition, the Haute école des arts du Rhin Mulhouse - Strasbourg joins 100% L'EXPO, alongside Beaux-Arts de Paris, Beaux-Arts de Marseille, École des Arts Décoratifs - PSL, École Nationale Supérieure d'Arts de Paris-Cergy and Villa Arson Nice.

 

Beaux-Arts de Paris artists: Thomas Besset, Ninon Enéa, Claire Gitton, Lou Le Forban, Valentin Ranger and Alexandre Yang.


Practical info

100% L'EXPO
April 10 to May 11, 2025

Wednesday to Sunday 2 pm - 7 pm
Nocturnes until 8pm Thu. 11, Thu. 24 and Fri. April 25 and Wed. May 7
Guided tours Sat. and Sun. departures every 30 min.

 

Free admission

 

La Villette
211 avenue Jean Jaurès
Paris 19e

Photo credit : © Atelier Pierre Pierre and Guillaume Tourscher

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